A new place for a new year

As I write this post I am sitting in our room at a lovely Airbnb. In the dark. Listening to what I can only describe as a colourful array of an assortment of various firecrackers and fireworks. Booming and echoing and re-echoing across the city of Reykjavik.

We left home in Canada before the crack of drawn with my brother–so generously giving up his sleep to drive us to catch an early ferry. As my husband and I sat at the stern of the boat talking, something incredible happened. The point of water I had chosen to stare at, not far from the vessel, erupted. A giant, orca suddenly burst from the waves, turning his body sideways and reveling a striking display of black and white on his belly. They were everywhere. Giant creatures! The pod must have consisted of about 12 individuals. It was an amazing send off. =)

After flying for about 8 hours we arrived in Iceland’s capital. Greeted by a thick blanket of heavy, misting rain and a driving wind. And, of course, darkness. What a relief to finally have arrived. I no longer need to worry about how I will be able to pack my belongings and art supplies into a single carry-on bag and “personal item”. We did it! Success!

The sounds of the fireworks and firecrackers are growing in intensity. It sounds like they are going off just outside our window. And I think they actually are! There is literally no silence between the sounds of exploding anymore. It is 9:30pm and there is a feeling of growing anticipation for midnight and ringing in the New Year! It is a nice feeling to look forward. I hope that you are also looking forward to the New Year and I wish you all the best. May 2020 bring you new revelations, feelings of hope, joys and purpose. God bless you. =)

Lists of Lists

It has been a very busy fall for me. I have been working nightshifts, which has allowed me the opportunity to spend my days focusing on my art practice. I had a long list of things that I was finally going to get around to doing, like organizing images, documenting work, applying for shows/residencies/grants, being more regular with my blog posts (oops), and of course spending extra time drawings and painting. I have now come to realization that I am absolutely terrible at estimating the time it takes me to complete administrative tasks. I am afraid to say that my list is still long, and I am starting to feel like it will always be that way. It has been a good experience to actually buckle down and try to tackle some of these tasks that I always used to put off. It has been a season of growing and for that I am very thankful. Unfortunately I haven’t spent as much time working on art as I would have liked, but I remind myself that things come in seasons. And I actually have gotten to make work–it is just never enough time. It is not probably a good thing not to be content, because it pushes you ahead. It really does feel good to complete some of these things I have been putting off. I absolutely recommend checking off that task that has been secretly eating away at you. Just be careful not to let your list get you down and discouraged. You can only do one thing at a time. (I say these words of advice for my own benefit.) I struggle with finding a balance between the administrative side of my practice and studio time. I tend to spend time focusing on either one or the other, not necessarily integrating them. A new season is just around the corner.

Skagastrond, image from NES website

Which leads me to announce that I am honoured to have been offered a residency at the NES Artist Residency in Skagaströnd, Iceland, for the month of January! A new season. I am looking forward to totally focusing on creating work again and experimenting in the studio. I will be participating in this residency with at least four other international artists. Also, my amazing husband is coming with me! Doing residencies have been some of the most rewarding experiences for me in my art practice: trying to find art supplies, being pushed out of your comfort zone, meeting other artists and talking about my work. I will write more about my project in the upcoming weeks. Receiving this residency has prompted me to do some new things that I haven’t done before: writing grant proposals, setting up an Etsy shop for my new Christmas cards, and participating in holiday artisan markets. It has been a learning curve! But well worth it.

NES studio, image from NES website

My list is still long. But it is okay. One thing at a time. And you know what? Now I can check off “write a blog post” from my list.

Tis the Season

I love the holiday season! Sweaters, Christmas lights and hot drinks. What could be better? Over the past few months I have been busy prepping for a couple upcoming Christmas markets. I figured this was the perfect excuse to design some bookmarks (something I have been wanted to do for a while now) and also to create some new cards: whales wearing Christmas sweaters! I will also have small drawings of Imaginary Whales and Wire Whales. I will be at the Hillside Holiday Artisan Market at Hillside Mall on November 30th & December 1st and at the Hibernation Celebration at the Habitat Acquisition Trust office (661 Burnside Rd) the evening of December 12th. If you are in Victoria I would love to see you at these events. =) If you are out of town, you can also find these items on my new Etsy page.

 

Breaking News

Today the Center for Whale Research issued a statement declaring the three missing southern resident killer whales are now deceased. Three. One from each pod (J, K and L). One of those whales was J17⁠—famous for carrying her dead calf on her head in mourning for 17 days last year.

I am currently working on an installation of this population. 76 was the number that I wrote down to make a few months ago. 76 orca. Every time I have created an artwork about this population the number has been different. Earlier this year I showed an installation with 74 orca. During the exhibition the population count increased to 75 because a calf was born. A year prior the installation contained 76, and the year before that 78. I have prepared 76 orca for my installation next month. Now I am taking three away. One up, one down seems easier to understand, but to take three away from an already small number seems drastic. At least to me it does. It is hard to think that those whales will never make it to the exhibition. This is a physical reminder to me of the fragility of this species. 

For more information about this breaking story, check out the Center for Whales Research website where they have issued the statement here. Also, here is an interview with Center for Whale Research founder Ken Balcomb.

Summer Art projects

It’s been a little while since I last wrote. There has been a lot going on lately since arriving back in Canada. I have been getting ready for the Sooke Fine Art Show (which is currently happening) as well as making work for my upcoming installation in Vancouver this fall (not done yet, but getting there) called SUPERPOD. I am also very grateful to Don of the Bonnie McCromb Kreye Residency for the opportunity to spend August in the studio while it is between residency seasons. I absolutely cannot wait to be oil painting again!

Have SFASyou been to the Sooke Fine Art Show? It is quite an extensive, juried art exhibition of work by artists from Vancouver Island and the Gulf Islands. The fantastic volunteers that help out during the show, transform the SEAPARC Leisure Complex into a lovely gallery space. There are always so many diverse pieces in this show. If you are in the Sooke area I highly recommend going to see it. You can easily spend a few hours looking around. I am pleased to announce that I have two works in the show as well as some small pieces in the exhibition gift shop. This exhibition is currently open and will continue until August 5th. For more info about the Sooke Fine Art Show, check out their website here.

 

 

When the hard bits become the good bits

For some reason I find this entry hard to write. Possibly because it’s 3:30am. Or maybe its the annoying peppy music the airport is playing.

So where to start? It’s funny how when you are going home you feel the need to summarize. To neatly package up your experience into something clean. “How was your trip?” Hmmm. “It was good.” just doesn’t feel right. Sometimes you can’t tie experiences into neat little packages. Especially when it’s messy, falling apart and pushed your limits.  It’s been a strange feeling not having a “home” or a place to call my own. It has been 9 months since I slept in my own bed (and two more to go still). It has been even longer since I have worked in a studio setting–and I really miss it. I had to think differently about making art and what that looks like to me at the moment. Flexibility. Planning is important, but it has its limits. Learn to roll with the punches.

You may remember a while back when I wrote about how difficult it was to find art supplies. Well, I am not sure if I should admit this or not, but after I competed the 63 Maui Dolphin installation of drawings I tried using my fountain pen again. The one I brought from Canada. I thought it wasn’t the correct nib size and so I fashioned one from a pop can, duct tape and a stick… well, the one I brought worked after all. Yup. All that stress was meaningless. I like to think I am at least learning important lessons. So why am I rambling on about pens? Other than it’s been far to long since I slept. I guess because looking back the hard parts don’t look so hard and they actually become the good parts. Sometimes.

The hum of the departure terminal is growing. The music is still pumping. Thoughts towards home. It is easier to face the unknown when you are in the unfamiliar. We decided to come back to Canada a bit earlier than expected for a few reasons. One reason being that I have been honoured to be invited to create an installation at the City Atrium Gallery in the North Van City Hall this September! I am really excited about this space. It has a lot of potential. I will have my work cut out for me this summer. Stay tuned for more updates to come.

Water, sand and shadows

Water, sand and shadows. Piha, New Zealand

63 Maui Dolphins

As some of you may know, I have been working on an installation about Maui Dolphins. I am pleased to announce that it is currently being exhibited at the Whaingaroa Environment Centre (WEC) in Ragland, New Zealand.

01_Maui Dolphin

Installation at the Whaingaroa Environment Centre (Image courtesy of WEC)

It is funny how things seem to fall into place sometimes. I knew I wanted to create this installation long before I had even discovered WEC. I believe there are similarities between whale research and conservation in British Columbia and New Zealand. The plight of the Maui Dolphin felt familiar to me–echoing the same kind of situation that our Southern Resident Killer Whales are facing. A game of numbers. There are many organizations in New Zealand that are really pushing for the survival of this tiny dolphin. Such as the Department of Conservation, Forest and Bird, National Institute of Water and Atmospheric Research, and the NZ Whale & Dolphin Trust to name only a few. It is amazing how these small cetaceans have captured the hearts of New Zealanders and have become a common cause across the country. New Zealanders feel a sense of ownership or stewardship over these venerable creatures and they represent a state of pride and nationality–similar to how those of us from Vancouver Island feel towards our Southern Residents. So I knew this was the project that I wanted to work on while I was in NZ.

As I was researching various organizations that have Maui Dolphin conservation programs I discovered the WEC. What really stood out to me about this organization is that they are focused on community and education. They run a variety of programs and eco projects. In their Maui Dolphin project they work with other organizations such as WWF and DOC. The more I read about WEC the more I hoped that they would be up for my proposal. I sent them an email and waited.

Yes! They were interested.

02_Maui Dolphin

Installation at the Whaingaroa Environment Centre (Image courtesy of WEC)

I had a fantastic meeting with a few of the lovely volunteers at WEC and they were on board with my installation. It is moments like this that I love. Using art in this way along side education posters and leaflets about the Maui Dolphin was something new. And we were all very excited about it! Art connects with science that connects with public education… perfect.

The installation will be exhibited through New Zealand’s winter months before being mailed back to me to be shown in Canada somewhere (give me time and I will find the right place). This project has really opened my eyes to the smallest and rarest dolphin in the world.

________________________

For more info about this installation click here.

Leopard Seals and Blue Whales

I have had conversations with marine researchers in a variety of locations–from dusty offices to bustling cafes to chatting on the phone in the font seat of our little NZ car.

Dr. Krista Hupman - photo credit Dave Allen

Dr. Krista Hupman (photo credit Dave Allen)

I recently contacted the National Institute of Water and Atmospheric Research (NIWA) to ask if I could speak with someone about their whale research. I was put in contact with Dr. Krista Hupman, a NIWA cetacean biologist. It wasn’t possible to meet in person because she was heading out on a field study, but Dr. Hupman kindly agreed to talk with me over the phone. After a few attempts and some bad reception we finally made contact.

Dr. Hupman explained that a few years ago a leopard seal was spotted in the harbor of Auckland. This was out of the ordinary because leopard seals are known for living in the deep south nearer the Antarctic. The seal was to be forcibly removed because it did not belong in the area. Or so people thought. “But how do we know that they don’t live here?” Dr. Hupman told me over the phone. This is an interesting thought. Up until this point leopard seals hadn’t been researched in New Zealand waters because they weren’t thought to be a native species. This is the exciting thing about science. Boundaries are still being pushed, species classifications are still being challenged and redefined. History is still being made!

Owha ID sheet - leopardseals.org

Owha the leopard seal’s ID sheet

Dr. Hupman has been studying Owha, that same leopard seal, for six years now. It was easy to hear the excited in her voice as she talked about Owha. Since this encounter and the building evidence that leopard seals are present in New Zealand, Dr. Hupman has begun the journey to reclassify leopard seals from “vagrant” to “resident”. She is part of a non-profit organization called LeopardSeals.org and has been encouraging the public to help out by reporting sightings and sending photographs. It turns out that there are far more leopard seals coming to New Zealand than expected!

Dr. Hupman has also been involved with a blue whale survey that took place along the coastal waters of New Zealand last year. Interestingly there are two kinds of blue whales that can be found in New Zealand waters: the Antarctic blue whale and the pygmy blue whale. The pygmy blue whales are more commonly found in the Cook Strait region. The researchers saw 14 different blue whales during their expedition and were able to deploy a couple satellite tracking devices to see where these whales were spending their time. Dr. Hupman explained how challenging this type of research can be. Blue whales are cleaver and very fast. If they know they are being followed they can easily change direction and become difficult to find.

Two blue whales seen during the satellite tracking work - photo credit Dr. Krista Hupman

Two blue whales seen during the satellite tracking work (photo credit Dr. Krista Hupman)

One of the first questions I asked Dr. Hupman was whether she has been approached by other artists wanting to know about her work. This was a first for her. I explained my intent to connect with cetology using art and use art as a way of bringing awareness about whales. It was inspiring to hear her talk about her scientific journey and her heart for public outreach and long-term research projects. Long-term projects are challenging to get funding for because they take time, but the results are so much richer. She mentioned how wonderful the long-term research as been on our southern resident killer whales–to watch whales over a lifespan. It is always nice to make a Canada connection.

Blue whale satellite tracking

Blue whale satellite tracking

Through my conversation with Dr. Hupman I discovered a few surprising things: that a cetologist can also have a deep passion for leopard seals, that scientific classifications can still be challenged and redefined, and that some of the largest animals on the planet swim figure eights around New Zealand. Dr. Hupman also told me that someone sent her some leopard seal poo… with a USB stick inside… with photos of leopard seals! It’s true! You can’t make this stuff up. =)

If you are interested to learn more about topics I briefly mentioned in this post, here are a few interesting articles and platforms to check out:

NIWA on Instagram

Leopardseals.org on Instagram

A leopard seal has spent so much time in New Zealand waters she has prompted a NIWA scientist to challenge conventional thinking about the species

A USB stick was found in defrosted leopard seal poo – and it still worked

Satellite tracking of blue whales in New Zealand waters

Tagged blue whale swims around the South Island

Understanding the movement of pygmy blue whales in New Zealand waters

Leopard seal - photo credit Dr. Ingrid Visser

Leopard seal (photo credit Dr. Ingrid Visser)

 

Science, Cetaceans, Penguins & Mountain-Dwelling Seabirds

The catch phrase of Kaikoura, a small town on the north western coast of the South Island, is “Where the Mountains Meet the Sea”. Sounds charming. I didn’t understand the true intensity of this phrase before coming here. Founded as a whaling town in 1842 Kaikoura is situated on a peninsula jutting awkwardly into the South Pacific, hemmed in from behind by a band of snow topped mountains. You might not guess it if you looked out across the sea, but not far off shore–just 500 meters away from Goose Bay–is a massive, underwater canyon dropping to depths deeper than two kilometers below the surface. This dramatic submarine terrain is a unique habitat. Upwellings and currents created by the trench provide food for all kinds of marine life. If you are a whale, this is the place to be!

Yesterday I had the pleasure of meeting with two members of the Kaikoura Ocean Research Institute (KORI), Chloe Cargill and Grant Ellis. Originally from the UK, they are in Kaikoura working with the research, public education and conservation efforts of KORI.  Founded in 2012, KORI is a non-profit dedicated to protecting and researching local marine creatures and their habitat. KORI has two key projects underway: KORI’s Hector’s Dolphin Project and P.E.A.P. (Penguin Education and Awareness Program).

KORI’s Hector’s Dolphin Project focuses on New Zealand’s smallest dolphin. These little dolphins are only found in New Zealand and classified as endangered. They are known for their rounded dorsal fin. Their fin is smoothly rounded at birth and over time gets small nicks and notches which become unique to the individual. KORI has been building a photo catalogue of these fins over the past six years. One thing that KORI thrives at is encouraging public engagement–they have even created a Top Fins downloadable page for the public to help with fin identification and add to their database.

The Penguin Education and Awareness Program is centered around the little blue penguin. This program gives the public a glimpse into their lives and helps educate people on how to best share space with these timid birds. Little Blue Penguins come to the Kaikoura area to nest and molt. Molting is a process where old feathers fall out and new ones grow. Little Blues have a “catastrophic molt”, which means this happens all at once. It takes about two weeks. During this time they cannot return to the water because they lack waterproof feathers.  They are quite venerable while they are land-bound, so public education is important. KORI also operates a penguin education viewing area that is lit with a red light to allow people to observe wild penguins with minimal disturbance.

The people of Kaikoura know they live in a special place and actively do their best to protect it. From my conversation with Chloe and Grant I also learned about other conservation efforts happening in the area run by DOC (the Department of Conservation) and The Hutton’s Shearwater Charitable Trust. The Hutton’s Shearwater is the only seabird in the world that breeds in sub-alpine environments. There are only two surviving colonies in the mountains behind Kaikoura. When the young birds are ready to head to sea for the first time, they leave their nests at night. It is possible that artificial lights in the town confuse the shearwaters and throw off their internal navigation because many crash land in the streets of Kaikoura. Chloe and Grant volunteer as night patrollers, driving through the streets of Kaikoura looking for fallen birds and bringing them to the rehab center where they are banded and later released in the ocean.

-161.411°, 54.795°, Natasha van Netten, 2015

-161.411°, 54.795°, gouache on embossed rag paper, detail of 22″x30″, Natasha van Netten

It was a pleasure to meet with both Chloe and Grant and learn about the local marine life and conservation. I left the meeting feeling encouraged by the involvement of the community, the dedication of KORI and by learning more about cetaceans! I can’t include everything that we talked about in todays blog because it is already getting long, but later I will tell you what I learned about Dusky Dolphins. I feel so inspired. I am thinking I should expand my embossed Cetacean: Chartwork series to include a piece on Kaikoura… and I am brewing an idea about cetacean-lead-cartography… more to come later.

* I would like to say a special thank you to Chloe Cargill for providing images for this post

 

 

 

Art to Go

Traveling as an artist has been a learning experience because my “studio” is now condensed into a carry on bag. Artists often predetermine parameters before approaching an artwork or series: restricted colours, size restraints, time limits, etc. Travel also forces limitations and they start when I pack my bag. I can’t bring everything. What will I need? What will I miss? The supplies I choose will have a huge impact on the art I create. Yes, it is possible to purchase or find items while traveling, but there is no grantee you will find what you are looking for, or what you are used to. This is a great opportunity to practice some economy with supplies. What will give me the most mileage? What are the essentials? What are those comfort/favourite tools I can’t do without? It is challenging to make these choices and I can’t say that I enjoy making them. For the sake of sharing, I thought I would give you a sneak peak at what is in my current art travel supply kit.
Travel art supplies .jpg

A. Traveler’s notebook (Field sketchbook)
B. Embroidery scissors
C. Parker black ink
D. Container of krill*
E. Pentalic sketchbook (for tiny drawings)
F. Pencil sharpener
G. Homemade pen
H. #4 & #6 watercolour brushes
I. Found water dish (mussel shell)
J. Pentel .25 ball point pen
K. Water brush
L. TWISBI fountain pen
M. Accordion sketchbook (illustrated map of experiences)
N. Watercolour sketchbook
O. Water (ocean)
P. Schmincke case with watercolours and gouache
Q. 4B & 5B pencils
R. Blank watercolour postcard pack 
*I have been carrying around this container of krill for 6 weeks and can’t bare to part with them. I am not totally clear on my reasoning, but they are now part my art supply kit.