Krill, art & a baby whale!

As I left the gallery after the opening reception on Thursday night I noticed a strange, orange light radiating from my installation onto the street. It has been a full week of late nights in the gallery hanging krill. “Krilling” is now a common verb in my family’s household. It was a little touch and go for a while, but we managed to install just under 20,000 crunchy, orange “krill”.

Leviathanic Allusion 10.jpg

Creating an installation is always a learning experience. Learning about a new space and how to use it well, learning about my work and how it can feel different depending on how it is organized on the wall, learning about what my own limitations are and how far I can push myself. I was also reminded how lucky I am to have a family that supports me and that gathers around me to help make “krill” when I need it.

The opening reception was a wonderful evening. It was a pleasure to meet more of the lovely volunteers from the fifty fifty arts collective. This group of people keep the gallery running. It is such a unique and creative space and a real asset to the communities in Victoria.  I have been away for the past few months and so the opening felt like a family gathering with the added bonus of being able to meet new people and talk about whales and art. I feel incredibly blessed to have the opportunity to exhibit my work.

I just found out that there is another reason to be feeling thankful. Just announced late yesterday afternoon by the Center for Whale Research, it has been confirmed that there is a new calf born into the southern resident killer whale population (L124)! This is just  11 days after the official population count was released at 74. Today I am heading to the gallery for the afternoon and I will be bringing with me a small, paper drawing of a southern resident killer whale to add to my installation of 74. This is a great start to 2019!



Upcoming exhibition in Victoria, BC

I am honoured to announce that I will be showing at the fifty fifty arts collective in January 2019! The exhibition is called Leviathanic Allusion. The show will consist of recent work as well as a immersive installation created specifically for this exhibition (I’ll give you a little hint… it is about krill!). I am excited to be showing at the fifty fifty arts collective and have been busily preparing for it while backpacking in Eastern Europe. The opening reception will be Thursday January 10 at 7pm and I would be thrilled to see you there! 

Please refer to the poster before for more info.

Leviathanic Allusion at the fifty fifty

Cabinet of Curiosities

I have found my happy place here in Lviv, Ukraine. I don’t think that I ever want to leave.

Just down the street from where we are staying there is a zoological museum*. It is run by the University of Lviv. We weren’t 100% sure how to get to the museum but I saw a sign on the outside of the university that read “Зоологічний музей” so I knew we were in the right place. There were a lot of students bustling around but no one seemed to mind us being there. When we went inside we waited at a desk to talk to someone about how to find the museum. A gentleman came out and I asked about the zoological museum but we did not understand each other. He took us to a man that spoke English. He happily said that he would lead us to the third floor to where the museum was located. During our conversation we discovered that this man is a Professor researching the genetics of microorganisms at the university. We were pleasantly surprized when the Professor offered to walk us through the museum and explain the highlights as most of the signs were in Ukrainian. This museum felt like walking into a collector’s curiosity cabinet on steroids! Room after room was filled with glass-doored display cases brimming and overflowing with every creature imaginable! Shells, coral, beetles, deep-sea fish and stuffed sharks, skeletons of tiny birds and even a giant sperm whale! I could go back to this museum day after day after day and always see something new.

Stellar's Sea Cow, Zoological Museum, LvivSpeaking of something new… I discovered a few extinct animals that I didn’t know about before. This museum of one of only three in the world that have a skeleton of the Stellar’s Sea Cow. This giant manatee-like creature was only scientifically discovered in 1741 and they only lived in a small area in the Bering Sea between Russia and Alaska. They could grow to a length of 30′ and could weigh up to 22,000 lbs. By 1768 the Stallar’s Sea Cow was extinct.

Another new animal that I learned about was Aepyornis Maximus, also known as the Elephant Bird of Madagascar. The zoological museum has a beautiful specimen of one of these bird’s eggs. One egg is about the equivalent of 150 chicken eggs.
Giant Egg collection, Zoological Museum, Lviv

I love being surrounded by scientific specimens. It is a treat to get to look closely at animals that I would otherwise never have the opportunity to see. And then I looked down at the small, inscribed label at the foot of the specimen… 1741… 1748… 1780… and realized I was looking into the eyes of creatures that lived over 250 years ago. It makes you think.

After our tour of the museum the Professor asked if we would like to see his lab? Of course we said, “Yes, please!” and he lead us through the winding, stone-walled university to his laboratory. I told him I am an artist interested in scientific whale research. He seemed intrigued at this idea. When he brought us to his laboratory he excitedly talked to us about the beautiful structures and patterns created by colonies of bacteria. He showed us samples of colonies that he had grown himself. He also told us that there are competitions where scientists submit images of their most complex and beautiful colonies and excitedly talked about the possibility of artists working with scientists to create these interesting structures.


bacteria growth.jpg

(This image is an example of a growth pattern made by bacteria from the internet)

*The National Zoological Museum of Ivan Franko was established in 1784 as a Cabinet of Natural History. A hundred years later it was given the status of “Zoological Museum”. The museum’s collection today contains over 178 thousand items.

Zoological Museum, Lviv



And the Whale Met the Polar Bear

I have always wanted to see wild bison. I guess I assumed they are rare or shy because I  have never seen them before. Well, in the last few days I have seen more bison than I can count. Welcome to the Northwest Territories!

We weren’t planning on going north of 60… but when you have the opportunity to meet someone that has shared the same specific and unique experience but you have never met before… it is hard to pass up the invite! Last winter I was put in contact with artist Alison McCreesh from Yellowknife, Northwest Territories. She participated in the Karelia Artist Residency at the Media Centre Vyhod in Petrozavodsk, Russia. I was so grateful to be able to talk to her over the phone while I was working through the confusing process of applying for a visa to visit Russia.

I never imagined that I would have the pleasure of meeting Alison in person. It was a pleasure to spend time getting to know her and her beautiful family and reminisce about our Russian experiences. Alison, her partner Pat, their two children and Ninja, the family dog, gave us a wonderful whirlwind walking tour of the old town part of Yellowknife. I was captivated by the interestingly shaped shacks and shack-inspired houses, the multicolored houseboats (half the year they can walk to town, the other half they canoe) and the interesting history of this remote city.

Something that really struck me when I met Alison is that her art is highly–I would even venture to say entirely–influenced by her geographical location and natural surroundings: inspired by cold weather situations, artic creatures, snowsuits, skates and skis. Alison has a wonderful way of capturing the essence of life up north in her art. It made me realize the importance of location and how it can impact artistic development. It was a good reminder to remember to immerse yourself in wherever you are at that moment and allow it to influence you. This immersion can take on many shapes and forms: whether it is seaweeds and cetaceans or snow and polar bears.

If you would like to see more of Alison’s work, you can check out her website, facebook page or Instagram feed. Alison has also created two fantastic travelogues (which I now have the pleasure of adding to my library),  Norths: Two Suitcases & a Stroller Around the Circumpolar World  and Ramshackle, published by Conundrum Press.


Whales in Clouds and Rainbow Unicorns

I always find it hard to leave the island, so during the chaos of apartment packing I made this little guy to help bring a little ocean with us on our road trip to visit family in northern Alberta. To feels strange to no longer have a home base, but it is exciting too.  Since visiting my little nieces and nephews my art practice has taken a distinctive and  temporary shift away from whales and on to unicorns! Many, many, many unicorns.  With rainbow hair.

Cardboard Boxes

Five years ago, almost to the day, my husband and I moved to Victoria. We were beginning a new phase of our life: me studying fine art and him working to put me through it. I remember how I felt when we moved here. I was excited but nervous whether this was a good life decision. I remember thinking as I walked up the front steps to the school that this might either be one of the best or one of the worst choices I get to make.

That was five years ago. Art school was such a rich experience and pushed me farther than I ever thought I could. I was talking to someone today at that same art school (where I now work) and I asked her if she has felt she has changed since going there. She said it’s not really that she has changed… but she has become more herself. I couldn’t have said it better. If I had to summarize my time here, both studying and now working, I would say that art has taught me about who I am and who I want to be. I now know that it was indeed one of the best decisions!

So why am I writing about all this? Because five years ago I found myself packing up our belongings and starting a new adventure in Victoria. Here we are again, boxes sprinkled throughout our apartment and me feeling reflective. This time it’s much harder to pack because apparently at least half of what I own consists of paintings, drawings and art supplies. I am exceedingly blessed to have had the opportunity to study art, to discover more of who I am, to have had art-related jobs, to have become part of a community of artists and to have had the chance to live near my family again.

My husband and I have decided to take some time off to spend time with each other and family, to travel and have new experiences. And of course… I will be making art! It is scary to let go of the familiar, but I think that scary can be good. Five years ago was scary and hard but I would do it all over again. So… here is to a new adventure and, as always, to art (and whales)!

The Grand Armada, Natasha van Netten, 2014.jpg

TD Art Gallery Paint-In Today

It has finally arrived: the Moss Street Paint-In! I will be tent #105 between May St and George St (nearer to Dallas Road along Moss St) and I hope that you will come and say hi. The Paint-In happens today from 11am-4pm. I would write more about what I am bringing with me but I am just on my way to go set up, so I guess you will just have to come to find out! And I will be creating wire whales at my booth. So please come and spend sometime in my whale sanctuary today.


It’s pouring! (seawater that is)

It’s always a little strange to come home after being away. The time I spent in Russia was so rich with experiences that I feel like a part of me changed inside. After an experience like this it takes a little bit of time to get used to being home again. I find myself wanting NVN_0169to create a new “normal”. I feel energized and excited to see what is in store for the future. Right now the future means preparing for the Moss Street Paint-In and the Sooke Fine Arts Show. I have also been lucky to have a new studio at the Vancouver Island School of Art! It is wonderful to have a fresh space to create in and spend focused time working on pieces for these events.

Something that I have been looking forward to doing again is more seawater drawings. These drawings are very temperamental and can only be done during certain times of year due to weather conditions.  There are many factors that have play in this process: temperature, wind, humidity, water clarity, etc. Here are some process photos of a couple pieces I  have been working on this afternoon.


До свидания (do svidaniya)

It is hard to believe that we were in Russia only a week ago. I haven’t had a chance to write about it yet because it’s been busy setting back in: laundry, unpacking, visiting people and going to work. While you are reading this, please bear with me and imagine that it is a week ago.



Our last week in Russia was one of the most exciting weeks. My husband and I had tried to visit Kizhi Island once already, but the boats weren’t running because the weather patterns changed and ice had drifted in, blocking the passage. This time we were successful. And it was worth the wait! Kizhi Island is a UNESCO World Heritage site. The island is an open air museum showing the best examples of rural Russian architecture built entirely out of wood. The Karelia Artist Residence and the Karelia Ministry of Tourism and Culture arranged for a guide to meet us on the island and give us a tour (in English) of the buildings and history of Kizhi. It was a fabulous day trip and it gave me a new appreciation and understanding of Karelian history and design.

I also had the pleasure of leading a workshop for a group of young arts students. The workshop was related to my residency project Waterland. The workshop project was about outside form. I discussed with the group about how you can add additional meaning to your work by addressing the way that it is contained–its outer shape. The students created small drawings of people/places/things that they feel are personally meaningful to the city of Petrozavodsk and the surrounding region. Then the students cut out the drawings and collaged them together to create the shape of Onega Lake. During the summer the students will continue to work on this idea and create individual pieces that will be presented in an exhibition at the Media Center. NVN_9525

We also went on another excursion during our final week to Kivach waterfall. It was about an hours drive into the forest from Petrozavodsk. We went with Varvara and Irina, two of the amazing ladies that work at the Media Center and the four of us were greeted at the park gates by the lovely nature guide and her translator. We were given a fabulous tour of the ecological museum, a interesting nature trail and the famous Kivach waterfall–the main attraction. It was good to get deeper into the Karelian countryside and learn about the natural habitat… we also were surprised to see a wonderful collection of sculptures made out of wood hiding in the forest!

During our last week the Sergei Terentjev (Сергей Терентьев), the Director of the Vyhod Media Center, did an interview with me; I spent two more afternoons drawing in the gallery and I have a tour/had a Q&A time with a class of young journalists.  I was also thrilled to have a studio tour with Sergei of his studio. He talked about the avenues his art has taken before and after Soviet times and showed examples of the diversity of the different projects he had been working on. Sergei and his wife Maria have been fighting for the presence and acceptance of contemporary art in Petrozavodsk and they are both directors of the two contemporary art galleries in the city. It is amazing to see the art community that comes to the galleries and to know that this is because of the tireless work that Sergei and Maria have invested into it. Despite differences of language, culture and generation, I feel connected to Sergei and what he is working towards. It became a little clearer to me when Sergei told me, “I had traditional art training and yet I create contemporary art, you are a contemporary artist with contemporary training.” I realized in that moment how lucky I am for the art education I received and how strong this man’s determination must have been to make the leap from one side of the scale to the other. Contemporary art was an underground movement for a long time in Russia, and it’s relevance is still being fought for in the Russian art communities. Sergei poetically explained that as a contemporary artist he “is like a wild tree, or a flower growing underground.” I feel privileged to have met Sergei and for his studio tour. This was a highlight of the residency!

It is always hard to come to the end of something good. My experience in Petrozavodsk exceeded all my expectations! I feel honoured to have had the opportunity to share my work with so many people, to have seen a little bit of the beauty of Russia, to feel a deeper connection to my own history and past, and to have made relationships and friendships that will continue. Coming home I feel like I am not exactly the same person that left, but have changed through this experience. Grown. Russia and the people that live their hold a special place in my heart. And so rather than saying “good bye” I say, “До свидания (do svidaniya)”, until our next meeting.

“But why whales?”

It was a wonderful surprise to discover that my exhibition was to be included in Museums Night here in Petrozavodsk. Museums Night is a big event that happens across Russia. On this night organizations, museums, galleries and other institutions are free to the public and there are special events including workshops and open studios. For this event the Vyhod Media Center arranged for me to lead two public tours through the gallery to talk about my work. This evening was a big highlight for me on this residency. Many people came to the first tour. I was able to discuss the ideas and processes behind my art with the help of the lovely Irina who translated for me. It was nice to recognize some familiar faces of people that came to previous events like the opening and artist talk. The attendance of the second gallery tour shocked me! There were so many people that it was difficult for everyone to see the work while I was talking. Both groups were interested in the art and asked many questions about it. It was a pleasure to see people interacting with the work, even young children. The staff at the gallery counted the people that came during Museums Night and the grand total reached… 700! I feel humbled and honoured that so many people came to see my work over the course of just a few hours.

Museum night 1

I have been asking people here in Petrozavodsk what is their experience of whales. Have they ever seen a whale? Have they been to the ocean? It turns out that few have seen whales and even the ocean is not easily reached. I take for granted that I live on an island in a place where whales are commonly talked about over the radio, in general conversation, in newspapers and are sometimes seen when you aren’t even looking for them–from the shore or from the ferry. One of the first questions that I have been asked during my exhibition here is, “But why whales?”. It is a simple question that cuts to the heart of my practise but it is something that I don’t often question because I have been making art about whales for a long time. Thinking about whales is part of my everyday life but this is not normal for everyone. This has been a good reminder for me to go back to the beginning and remember why I make art about whales and where it all began. It is refreshing to talk to people that are hungry to know more. To be honest I have felt a little like a kid in a candy store here telling people interesting stories about whales–why they are such fascinating and complicated creatures–and watching their interest in whales visibly grow right in front of me. A reminder: whales are exotic animals (especially when you don’t live by the ocean).