Modern Icelandic Whaling and Sweaters

It is hard not think about whaling while being in Iceland. I was doing some research yesterday and discovered that some of the whaling vessels that hunt minke whales stay at port in Hafnarfjordur, a 10 minute walk from where we stayed at our Airbnb. There are two commercial whaling companies here. One company hunts minke whale and one hunts the endangered fin whale. Minke whale is what you can buy in restaurants and in the grocery stores here (no, I will not be partaking) and fin whale is exported and sold to Japanese markets. This past year though there was a temporary, year-long pause on whaling in Iceland, but it is set to begin again in the spring. The pause came because of a lack of demand for the meat. I was surprised to discover that actually very few Icelanders enjoying eating whale meat and the biggest market are the tourists that come here. It is marketed as an exotic delicacy and a “must try” while visiting the country. It is hard to see why the whaling industry continues though when the income generated by whale watching companies is significantly higher than selling theme for meat (and is much more sustainable). While researching I came across this recent documentary called Hard to Port about the current whaling situation in Iceland. It is worth watching if you are interested in this topic.

But how do I process this….

While listening to these documentaries I was thinking about a recent series I made this winter of whales in Christmas sweaters. I was speaking with a gentleman who was looking at them and he said something that stuck with me. By clothing these whales he felt like they were being cared for or nurtured. Forgive me if I am sounding sappy, but I love it when someone makes me a homemade gift like a hat or scarf. These gifts keep me warm on the outside as well as on the inside because I know they take a lot of time and care to make. So I created this small watercolour of a minke whale and a fin whale wearing iconic Icelandic sweaters. I am planning on making two more similar drawings. One for each of the three countries that still continue to practice commercial whaling (Iceland, Norway and Japan).

Whales wearing sweaters… huh… I think might possibly be my most political work yet.

Icelandic Whales in Lopapeysa

The upper whale in this drawing is a minke whale and the lower whales is a fin whale. Fin whales are still considered endangered. They are the second largest animal in existence (only loosing out on the champion title to the blue whale).  This drawing shows the size difference between the two species. 

8.5″ x 11″, ink and watercolour on rag paper 

NES Artist Residency January 2020 Group

Today we gave artist talks as a group. It was amazing how different and interesting everyone’s practice is. I thought I would just quickly share this group photo. We are six artists and represent six different countries!

NES Artist Residency January 2020 Group Photo .jpg

 

Left to right: Sakari Heikka (Musician from Finland), Indigo Perry (writer from Australia), Sineád Bhreathnach-Cashell (visual artist from Ireland), Sandrine Elberg (photographer from France), Katya Kan (visual artist from Kazakhstan), Natasha van Netten (visual artist from Canada)

Settling In

Today is the forth day that we have been in Skagaströnd and I think I am starting get more used to the way things work here. For example: going outside. It’s not as easy as I used to think. To go outside requires: long johns, pants, base layer and a sweater or two, then rain paints, scarf, bulky winter coat, hiking shoes, crampons for the ice, gloves and toque. So, as you can imagine it is a process to go outside. And coming in is harder because everything is covered in snow or rain. In Victoria I would consider this a lengthy ceremony, but here it’s not a big deal. It’s just part of life. But I still don’t think I understand the lack of daylight. Since coming here I have been having trouble sleeping. The first few nights I thought it was because the wind was incredibly loud. The next night I blamed it on the fact that there was not any wind at all. The strangest thing that I can’t figure out is that despite the lack of sleep, when I wake up in the morning I feel rested. All day long I feel good. In fact it is difficult to go to bed because I simply don’t feel tired. I think it must have something to do with the excess of darkness… but I am not sure why.

NVN_9543

Things are going well in the studio. Well, they are really just getting started so maybe it is hard to say how it is going. But I am enjoying it and finding that ideas are coming. During my time here I am focusing on experimentation and “play”. Yesterday I was finally able to collect some seawater by carefully climbing down a breakwater because the sea was relatively calm. We were also able to walk out of town along the beach to see what has been washing on shore. There was lots of seaweeds and a few shells, like barnacle and clam, a starfish and a recently eaten sea urchin. I brought back a couple shells and a holdfast to draw in the studio but they smell incredibly strong, so I have decided to rinse them and leave them outside for the time being. Maybe I will have to brave the cold and draw them outside. We will see.
It is just after 4pm and I will be heading back to the residency house soon because a storm is possibly coming around 8pm. We were going to have artist talks tomorrow but that has been postponed in case it is too difficult to go outside tomorrow. So I will wrap up this post now and collect some supplies in case I will be working inside tomorrow. I will let you know how it goes in my next post. 😉
NVN_9571

Arrive: Skagaströnd

It is about a 4.5 hour bus ride from Reykjavik to Skagaströnd. We departed at 9am and after two hours the horizon started to lighten, revealing backlit rugged mountains and great expanses of snow. It is difficult to understand perspective here because there is not much to compare the scale. Every once in a while there was a house tucked next to a mountain with a warm glow coming from lights in a window in the shape of a star. As the bus was about to turn into the town of Blönduós the snow began in a torrent. I am still not sure what that town looks like other than a few vague, dark shapes that I suppose must be houses and possibly shops. We pulled into a gas station where we disembarked. My husband, myself and three other ladies bound for the NES Artist Residency and a pile of snow-covered luggage. We had called the bus company ahead of time to arrange for a shuttle to pick us up and drive us the last 20 minutes of our journey to Skagaströnd. Two cars pulled up with a sign in their windows displaying the bus company’s symbol. The drivers were father and son. Again, I have no idea what is between these two towns as it was so white. I could not even see the car’s lights driving in front of us. As quickly as it started snowing, it stopped. We arrived at one of the houses of the residency. We will all be staying in this house, along with three other artists that will arrive later. Kerryn, co-director at the residency, met us at the front of the house and helped us in. There was a foot of snow to wade through to get to the door. It’s a big house, warm and cozy. We had a quick briefing and got settled in. I am still finding it hard to adjust to the daylight hours (or lack thereof). I feel like I have no proper sense of time anymore. We have been getting up when we wake up, eating when we are hungry and sleeping when we are tired–none of which is conventional. It is a strange thing. But I think that we will find a good rhythm soon. We spent the rest of the day settling into the house and then went for a couple walks around town. I am now very glad that we packed warmly. The roads were the only cleared areas and Kerryn said it is normal when it has snowed to walk on the roads. The cars will respect you. It is a small town of about 400 inhabitants. I should also mention that it is extremely windy here. All the time. Dark, windy and snowy. During the daylight though, there is a dramatic and rugged landscape of snow-covered mountains and an icy sea.
The next day I happily explored the studio space, which is a 3 minute walk from the house (although it took much longer as we picked our way across the icy roads and snow drifts). It is a large, open-concept studio space that used to be a fish factory for the port. A perfect place for the studio. And no, it doesn’t smell like fish at all! There were a few spaces to choose from and I settled myself in a nice space in the corner. I spent a very pleasant day in the studio with a few of the other residents. The weather here is incredible! Even inside you can feel it deep inside of you. The buildings are built strongly to withstand the intensity of the arctic winds. But that doesn’t block out the sounds. Powerful gusts that sound as though they would knock you over. The studio, as you could probably guess as it’s being an old fish factory, is built right next to the sea. I am in heaven!
While I am at the residency I will be working on a drawing project centred around the ocean and winter weather here. I will be incorporating elements of nature, allowing them to intervein and manipulate my work. I am not 100% sure exactly how this will look or how I will go about doing it… but that is part of the point of my project. To experiment! There will be some challenges though for sure as I will have to figure out how to tackle the cold weather. Right now my biggest challenge is to figure out how to safely access and collect seawater when it is so stormy and the water so rough. I’ll get back to you on that. =)
Skagastrond

A new place for a new year

As I write this post I am sitting in our room at a lovely Airbnb. In the dark. Listening to what I can only describe as a colourful array of an assortment of various firecrackers and fireworks. Booming and echoing and re-echoing across the city of Reykjavik.

We left home in Canada before the crack of drawn with my brother–so generously giving up his sleep to drive us to catch an early ferry. As my husband and I sat at the stern of the boat talking, something incredible happened. The point of water I had chosen to stare at, not far from the vessel, erupted. A giant, orca suddenly burst from the waves, turning his body sideways and reveling a striking display of black and white on his belly. They were everywhere. Giant creatures! The pod must have consisted of about 12 individuals. It was an amazing send off. =)

After flying for about 8 hours we arrived in Iceland’s capital. Greeted by a thick blanket of heavy, misting rain and a driving wind. And, of course, darkness. What a relief to finally have arrived. I no longer need to worry about how I will be able to pack my belongings and art supplies into a single carry-on bag and “personal item”. We did it! Success!

The sounds of the fireworks and firecrackers are growing in intensity. It sounds like they are going off just outside our window. And I think they actually are! There is literally no silence between the sounds of exploding anymore. It is 9:30pm and there is a feeling of growing anticipation for midnight and ringing in the New Year! It is a nice feeling to look forward. I hope that you are also looking forward to the New Year and I wish you all the best. May 2020 bring you new revelations, feelings of hope, joys and purpose. God bless you. =)

Lists of Lists

It has been a very busy fall for me. I have been working nightshifts, which has allowed me the opportunity to spend my days focusing on my art practice. I had a long list of things that I was finally going to get around to doing, like organizing images, documenting work, applying for shows/residencies/grants, being more regular with my blog posts (oops), and of course spending extra time drawings and painting. I have now come to realization that I am absolutely terrible at estimating the time it takes me to complete administrative tasks. I am afraid to say that my list is still long, and I am starting to feel like it will always be that way. It has been a good experience to actually buckle down and try to tackle some of these tasks that I always used to put off. It has been a season of growing and for that I am very thankful. Unfortunately I haven’t spent as much time working on art as I would have liked, but I remind myself that things come in seasons. And I actually have gotten to make work–it is just never enough time. It is not probably a good thing not to be content, because it pushes you ahead. It really does feel good to complete some of these things I have been putting off. I absolutely recommend checking off that task that has been secretly eating away at you. Just be careful not to let your list get you down and discouraged. You can only do one thing at a time. (I say these words of advice for my own benefit.) I struggle with finding a balance between the administrative side of my practice and studio time. I tend to spend time focusing on either one or the other, not necessarily integrating them. A new season is just around the corner.

Skagastrond, image from NES website

Which leads me to announce that I am honoured to have been offered a residency at the NES Artist Residency in Skagaströnd, Iceland, for the month of January! A new season. I am looking forward to totally focusing on creating work again and experimenting in the studio. I will be participating in this residency with at least four other international artists. Also, my amazing husband is coming with me! Doing residencies have been some of the most rewarding experiences for me in my art practice: trying to find art supplies, being pushed out of your comfort zone, meeting other artists and talking about my work. I will write more about my project in the upcoming weeks. Receiving this residency has prompted me to do some new things that I haven’t done before: writing grant proposals, setting up an Etsy shop for my new Christmas cards, and participating in holiday artisan markets. It has been a learning curve! But well worth it.

NES studio, image from NES website

My list is still long. But it is okay. One thing at a time. And you know what? Now I can check off “write a blog post” from my list.

Tis the Season

I love the holiday season! Sweaters, Christmas lights and hot drinks. What could be better? Over the past few months I have been busy prepping for a couple upcoming Christmas markets. I figured this was the perfect excuse to design some bookmarks (something I have been wanted to do for a while now) and also to create some new cards: whales wearing Christmas sweaters! I will also have small drawings of Imaginary Whales and Wire Whales. I will be at the Hillside Holiday Artisan Market at Hillside Mall on November 30th & December 1st and at the Hibernation Celebration at the Habitat Acquisition Trust office (661 Burnside Rd) the evening of December 12th. If you are in Victoria I would love to see you at these events. =) If you are out of town, you can also find these items on my new Etsy page.

 

Breaking News

Today the Center for Whale Research issued a statement declaring the three missing southern resident killer whales are now deceased. Three. One from each pod (J, K and L). One of those whales was J17⁠—famous for carrying her dead calf on her head in mourning for 17 days last year.

I am currently working on an installation of this population. 76 was the number that I wrote down to make a few months ago. 76 orca. Every time I have created an artwork about this population the number has been different. Earlier this year I showed an installation with 74 orca. During the exhibition the population count increased to 75 because a calf was born. A year prior the installation contained 76, and the year before that 78. I have prepared 76 orca for my installation next month. Now I am taking three away. One up, one down seems easier to understand, but to take three away from an already small number seems drastic. At least to me it does. It is hard to think that those whales will never make it to the exhibition. This is a physical reminder to me of the fragility of this species. 

For more information about this breaking story, check out the Center for Whales Research website where they have issued the statement here. Also, here is an interview with Center for Whale Research founder Ken Balcomb.

Summer Art projects

It’s been a little while since I last wrote. There has been a lot going on lately since arriving back in Canada. I have been getting ready for the Sooke Fine Art Show (which is currently happening) as well as making work for my upcoming installation in Vancouver this fall (not done yet, but getting there) called SUPERPOD. I am also very grateful to Don of the Bonnie McCromb Kreye Residency for the opportunity to spend August in the studio while it is between residency seasons. I absolutely cannot wait to be oil painting again!

Have SFASyou been to the Sooke Fine Art Show? It is quite an extensive, juried art exhibition of work by artists from Vancouver Island and the Gulf Islands. The fantastic volunteers that help out during the show, transform the SEAPARC Leisure Complex into a lovely gallery space. There are always so many diverse pieces in this show. If you are in the Sooke area I highly recommend going to see it. You can easily spend a few hours looking around. I am pleased to announce that I have two works in the show as well as some small pieces in the exhibition gift shop. This exhibition is currently open and will continue until August 5th. For more info about the Sooke Fine Art Show, check out their website here.

 

 

When the hard bits become the good bits

For some reason I find this entry hard to write. Possibly because it’s 3:30am. Or maybe its the annoying peppy music the airport is playing.

So where to start? It’s funny how when you are going home you feel the need to summarize. To neatly package up your experience into something clean. “How was your trip?” Hmmm. “It was good.” just doesn’t feel right. Sometimes you can’t tie experiences into neat little packages. Especially when it’s messy, falling apart and pushed your limits.  It’s been a strange feeling not having a “home” or a place to call my own. It has been 9 months since I slept in my own bed (and two more to go still). It has been even longer since I have worked in a studio setting–and I really miss it. I had to think differently about making art and what that looks like to me at the moment. Flexibility. Planning is important, but it has its limits. Learn to roll with the punches.

You may remember a while back when I wrote about how difficult it was to find art supplies. Well, I am not sure if I should admit this or not, but after I competed the 63 Maui Dolphin installation of drawings I tried using my fountain pen again. The one I brought from Canada. I thought it wasn’t the correct nib size and so I fashioned one from a pop can, duct tape and a stick… well, the one I brought worked after all. Yup. All that stress was meaningless. I like to think I am at least learning important lessons. So why am I rambling on about pens? Other than it’s been far to long since I slept. I guess because looking back the hard parts don’t look so hard and they actually become the good parts. Sometimes.

The hum of the departure terminal is growing. The music is still pumping. Thoughts towards home. It is easier to face the unknown when you are in the unfamiliar. We decided to come back to Canada a bit earlier than expected for a few reasons. One reason being that I have been honoured to be invited to create an installation at the City Atrium Gallery in the North Van City Hall this September! I am really excited about this space. It has a lot of potential. I will have my work cut out for me this summer. Stay tuned for more updates to come.

Water, sand and shadows

Water, sand and shadows. Piha, New Zealand