Today closes week two of my residency here on Malcolm Island at the Sointula Art Shed and officially marks the halfway point of my time here. This week I have been able to get some solid studio time and I’m starting to feel like I’m gaining momentum on my residency projects. The weather has been gloriously unsettled, swinging from golden sunshine, to melting-grey clouds, pouring rain and even hail. It must be spring! Even though I have only been here two weeks, there is already a visible difference in the plants. Leaves are budding and little flowers are popping up everywhere!

I started the week by working on a project about counting the Northern Resident killer whales (as seen in the image above, hanging from the horizontal lines). I am representing each member in this pod by making a linocut orca print… this work is still in progress and I am now in the problem-solving stage trying to figure out how I want it to all come together.

Someone recently gave me some mylar charts and before I left for the residency I dry mounted pieces of it to shaped matboard offcuts. This combination has turned out to be quite an inspiring surface for oil painting. I am working on a series of small paintings based on my experiences of seeing whales exhale and the way light often catches their blows. The surface of mylar is velvety and smooth—lending itself perfectly for the removal of paint. So, in away, these are anti-paintings because the subject matter is represented by a physical absence.

Yesterday I hopped on a ferry to Port McNeill and instructed a workshop inside the office of the Marine Education & Research Society (MERS). I wanted to do this workshop as a way to connect with the community and also to help support the important conservation work MERS. Three lovely researches were there to help set up for the event and offer whale knowledge during the workshop. The main theme of the workshop was to not make perfect drawings but rather I wanted people to think about the individuality and quirkiness of whales. And yes, apparently there are whales out there with some pretty hilarious underbites—point made! We began by making blind contour drawings of whales, finished it by using pieces of cedar as drawing instruments, and did a bunch of projects in the middle. My heartfelt thanks to MERS for being such welcoming hosts and to each of the 11 participants that made this afternoon special.

And this brings us up to today! This morning I installed my first of a series of three artworks that I will be displaying inside the Window Gallery that is adjacent to the studio. This is now the fourth time that I have exhibited WHALEFALL, and every time it looks different because it is comprised of a collection of individual orca sculptures that need to be assembled and disassembled. Depending on the size of the plinth, the shape of the artwork changes, but also the amount of orcas is slowly growing. I had to add four orca since I last showed it in June of last year. This installation shows all of the Southern Resident killer whales that have passed away since we started counting and naming them in the 1970’s. There are now 147 orcas. I don’t know if this link will work, but I made a video showing the setup with me talking about this installation (probably the most high tech thing I’ve ever done): WHALEFALL video. You may have to unmute it by clicking the symbol at the bottom.

Okay, I think I will leave it there for now. Thank you so much for reading along.